Skullcandy INK'D Paul Frank Black/White Specifications, Tests and Review

The Skullcandy INK'D Paul Frank Black/White are wired headphones. In the case of studio and professional DJ headphones, a wired connection is a standard and a necessity. In this case, connecting via cable reduces audio transmission delays and prevents unwanted battery drain as it would be in case of wireless headphones. The same is de facto true for gaming headsets. In case of headphones for normal music listening, the cable is rather a relic, although it still has its fans. However, the wireless option is much more popular for everyday use in today’s world.

These headphones are in-ear type and are therefore designed to fit directly into the ear. This allows them complete or at least partial isolation from external noise. Such headphones may also have an ambient sound isolation function, which affects the degree of their isolation capabilities. Compared to over-the-head headphones, in-ear headphones are much more portable

The sound quality can be affected by many factors. For many users the frequency range is a key feature of headphones. The wider the range, the more detail and nuance you will hear while listening. However, every individual perceives frequencies differently, so the frequency range of headphones varies according to individual needs. The average person perceives frequencies in the range of 16 to 20,000 Hz, so headphones with a frequency range of 20 to 20,000 Hz are most commonly available. If you are looking for headphones with a good bass performance, you should aim for lower range values (bass represents frequencies up to about 256 Hz), while high range values (frequencies roughly above 2,048 Hz) will be better for reproducing high tones. The frequency range of headphones Skullcandy INK'D Paul Frank Black/White is 20 - 20000 Hz. To control the optimum playback volume you can use the manual control directly on the cable.

Headphones consist of many important parts, including the diaphragm, which is responsible for converting electrical signals into sound. The diaphragm, with a thickness of around 6 mm, is very sensitive to changes in high frequencies but less sensitive to bass. For a relatively balanced sound profile, a medium-thick diaphragm of around 10 mm is used, which can reproduce both bass and treble. A diaphragm with a thickness of around 20 mm is not as quick to respond to changes in the audio signal, and this results in poorer bass listening. However, it is very sensitive to higher frequencies. In the case of this model, the diaphragm is the 11 mm.